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Some letters of a wordmark stretch horizontally with RGB ghosting, distort in steps, then snap back clean.
The background and the type are black and white, and only the few distorted frames show a saturated separation into cyan, magenta, and yellow, so the color flashes and never stays. The distortion acts only on some letters and the rest stay clean, so the wordmark remains readable.
ease: "none"; the tagline uses expo.out#f4f4f6, black ink. Wordmark Inter 500 and 300 at 214px, letter-spacing -0.034em; headlines Inter 600 at 104px with 34px supporting lines at 47% opacity. RGB color exists only on distorted frames; settled frames are pure black on light grayBuild a wordmark opening called Chromatic Stretch, 10.5s at 30fps. Light gray background #f4f4f6, black Inter wordmark centered (500 for the name, 300 for the suffix, 214px, letter-spacing -0.034em); the source film uses Ember Pro. Distort one letter segment at a time in 2-frame steps with no tweening: stretch it horizontally from 4.4x down through 3.7x, 2.9x and 1.8x, enlarge it 1.1-1.55x vertically, arc the baseline up to 28px, and squeeze the rest of the line to 0.6-0.93x. Warp the R, G and B channels separately, offset each by 2.2% of font size with a 12px horizontal blur on R and B, add them on black and subtract from the background so the edges split into cyan, magenta and yellow; drop the split to 0.3 for 1 frame, then return clean. Run three distortions on the wordmark at 0.1s, 0.73s and 1.3s, then smear it out to the left at 2.4-2.73s (stretch up to 16x, shift up to 420px, 22 fading trail copies). Swap in two headline blocks (2.8s and 5.2s) using the same enter, one re-distort and smear-out pattern, then bring the wordmark back at 7.6s with one more distortion at 8.13s and fade a tagline up at 8.42s (0.6s, expo.out). Push each block in slowly from scale 1 to 1.03; color appears only on distorted frames.


